About me
Hi there, my name is Sanne (it’s pronounced Sana). I am a Unit Stills Photographer based in London, Scotland and any location around UK.
Recently working with STARZ / Disney+ / Paramount+ / Netflix / Channel 4 / BBC, Universal.
Currently - Blood Of My Blood; Outlander https://variety.com/2024/tv/news/outlander-prequel-series-starz-cast-1235897385/
With a love for lurking in the shadows, observing, capturing moments, and getting to know people - I feel like I hit the jackpot when I discovered Unit Stills was an actual thing - finding a power in my quiet curiosity.
Simply put, I adore what I do. Every set I’ve been on has fuelled my love for the craft even more. With a focus on comfort for the cast and crew around me, and a servitude to the beauty that surrounds, I aim to do justice to the hard work, art and passion of those providing, whilst delivering high quality stills tailored to the specific needs for the marketing team.
I’m available for productions in Scotland, London, North England.
CV (link)
Blood Of My Blood - Outlander Prequel (TV Series) - Shooting in 2024 - Unit Stills Photographer
On Falling (Feature) - Shot in 2023 - Unit Stills Photographer
ROW (Feature) - Shot in 2023 - Unit Stills Photographer
HUSH NOW (Feature) - Shot in 2023 - Unit Stills Photographer & EPK Filming & Gallery Shoot
Greenman (Festival) - Event in 2023 - Festival Photographer
The Way (TV - BBC) - Shooting in 2023 - COVER/DAILIES Unit Stills Photographer
Rivals (TV - Disney+) - Shooting in 2023 - Unit Stills Photographer
I’ll Play Mother (Feature) - Shot in 2023 - Unit Stills Photographer & Gallery Shoot
The Trap (Feature) - Shot in 2023 - Unit Stills Photographer & EPK Filming
Unthinkable Conversations (Short Film) - Shot in 2022 - Unit Stills Photographer & Gallery Shoot / Poster Design
Three Little Birds (TV - ITV, Tiger Aspect) - Shot in 2022 - COVER/DAILIES Unit Stills Photographer
One Day (TV - Netflix) - Shot in 2022 - COVER/DAILIES Unit Stills Photographer
Sexy Beast (TV - Paramount+) - Shot in 2022/2023 - Unit Stills Photographer
Gone But Not Forgotten (Short Film) - Shot in 2022 - Unit Stills Photographer
What Remains Of Us (Feature - Universal) - Shot in 2022 - Unit Stills Photographer & EPK Filming
Ocean Deep (Feature) - Shot in 2022 - Unit Stills Photographer & Gallery Shoot
Black Money (Short Film) - Shot in 2022 - Unit Stills Photographer
Christmas In The Caribbean (Feature) - Shot in 2021 - Unit Stills Photographer & EPK Filming & Gallery Shoot
Camilo - 2021 - London PR Photographer/Videographer
City Girls (Feature) - Shooting 2021(/22) - Unit Stills Photographer & EPK Filming & Gallery Shoot
York Witches Society (Feature) - Shot in 2021 - Unit Stills Photographer & EPK Filming & Gallery Shoot
I Live With The Devil (Short Film) - Shot in 2021 - Unit Stills Photographer
Miss Walker (TV Concept) - Shot in 2021 - Unit Stills Photographer & Specials Shoot
AVBS: The Duchess of Argyll (TV Show) - Shot in 2021 - Photographer Art Department
There’s Always Hope (Feature) - Shot in 2020 - Unit Stills Photographer (UK Unit)
Father Christmas is Back! (Feature) - Shot in 2020 - Unit Stills Photographer & Gallery Shoot
3 Pints and a Rabbi (Feature) - Shot in 2020 - Production Co-Ordinator & Unit Stills Photographer
MALICE - 2020 - Event Videographer
Cut Truth or Drink UK (Youtube) - Shot in 2020 - Production Co-Ordinator
Time Specter (AD) - Shot in 2019 - Runner & Unit Stills Photographer
Cut Truth of Drink UK Pilot (Youtube) - Shot 2019 - Production Co-Ordinator
Glamour (Feature) - Shot in 2019 - Production Co-Ordinator & Unit Stills Photographer
Manuel Turizo - 2019 - Paris / London PR Photographer
Sony Music Latin - 2019 to present - European Photographer / Videographer
Pizza Express Live - 2019 to 2020 - In House Photographer
Numbucca Venue - 2019 to 2020 - In House Photographer
Fox & Badge - 2018 & 2019 - Event Videographer
Perfocal - 2019 - In House Events Photographer
PLUM - 2018 - In House Motion Graphics & Videographer
Safe & The City - 2018 - In House Content Creator / Marketing
Elephant Policy - 2018 - Motion Graphics Designer
LISSOM - 2018 - Marketing / Customer Care
Chisholme Institute - 2017 - In House Photographer / Marketing
VIDEOBEAT - 2016 - Junior Creative Concept / Video Editor
Alchemy Film and Moving Image - 2016 - Intern
What others say:
“Summer 2022, I was fortunate enough to be directing my first studio film - it was an incredible experience that thankfully, I will always be able to look back on fondly because of the sensational stills that Sanne took (at times, and it kills me to say it.. more cinematic than the monitor). Sanne was always smiling, so incredibly professional and her photography… INSANE. I hope to find Sanne on all of my sets from here on out, she is truly magnificent. Until the next one Sanne.”
— Alexander Farrell Writer/Director
“I have just seen some of your Unit Stills. WELL DONE 👏👏👏 Amazing vision, brilliant framing, you have a really good eye on details - honestly I AM SO IMPRESSED. Amazing job, and hope we work together again.”
— Ali Farahani (Academy Award Winning Cinematographer)
“Sanne is a complete professional. Not only does she get the production the photographic and video material they need for high-quality promotional pieces, she also handles interpersonal relationships with honesty and integrity. A lot of talented creatives and industry vets with good character will recommend Sanne which is a testament to her experience and her quality of work. I would confidently recommend her to any size production and look forward to the time we can work together again.”
— Nick Royak (Producer)
“Sanne knows what she is doing, we can always call on her to professionally and creatively handle our requests with a can-do attitude. Whether that’s providing the highest quality stills that capture the behind-the-scenes environment or asking interesting questions to cast and crew for EPK’s. Sanne’s ability with the camera and knowledge about lighting has made our work as a post-production company much easier and resulted in one the highest quality EPK’s we have worked on to date. Sanne gets on with everyone, build’s rapports with actors and brings a great vibe to the set.
” — Rachel Maliakkal (Post Production, Highfield Post)
“Sanne’s eye for capturing genuine, authentic moments through her camera is a joy to behold and it’s a real privilege to have worked with her.
But not only are her photos fantastic, Sanne is also a delightful person to have on set and I couldn’t recommend working with her enough!”— Guy Taylor (Director/Producer)
“Just wanted to take this opportunity to say, your work is beautiful! I’ve seen a lot of film stills over the years and I am so in love with these. We are unbelievably over the moon and I am in awe of your talent.”
— Reshma Makan (Producer)
“Sanne is a photographic genius! She shot the stills for 2 days on my short film and the imagery and the way she has captured both the feeling on set and the film itself is nothing short of spectacular. I cannot recommend her more highly and cannot wait to have her back on my next film. On a personal note, she is so easy going, friendly and a wonderful addition to the crew, she puts everyone at ease and is joy to be around.”
— Emma Richardson (Writer/Producer)
“Sanne has done a wonderful job with the film stills – she’s really captured the energy and essence of the film and given the team some wonderful images to work with. Sanne’s truly professional approach to her work and the beautiful images she has captured for the film – I can’t say enough to thank her. It is always a pleasure to have her on set – please come back again!”
— Liza Bolton (Director / Line Producer)
“When we were shooting Miss Walker, having behind the scenes photography was so important for us when we were coming to pitching season. Sanne and her incredible ninja skills at taking well framed and stylish photographs took our concept’s promotion and development to another level. Sanne is extremely professional and talented not only with a camera but she also would make a brilliant director or AD and I would highly recommend her and will definitely hire her again in the future.”
— Robin De Vernon Ryding (Director/Producer)
“Just wanted to say how brilliant it’s been working with you. You’re such a dream as a set photographer - always professional and really great. Thank you!”
— Nathalie Cox (Actor)
“On a film set, you need the people around you to solve problems rather than cause them. Not only does this description fit Sanne to a tee, she’s also insanely talented as a photographer. Her understanding of light, distance & composition is expert-level and I’d hire her again in a flash.”
— Euan Brown (Producer/Director)
“Sanne Gault has an infectious enthusiasm for everything to do with film. She can be assertive when necessary and has a creative initiative with problem solving skills. I would recommend her to anyone needing someone resourceful.”
— Linzy Attenborough (Producer)
“Working with Sanne was an absolute pleasure. Everything from pre-production to final delivery to the client was smooth, uncomplicated, and delivered on or before deadlines. Her keen attention to details and skill at her craft made for an outstanding production, one that my client has praised more than a few times. And I agree. Sanne is really something special. You’re not just getting a videographer/photographer, you’re getting an artist that uses a lens to create a narrative. Highly recommend”
— Dan Taylor (Photographer)
“I’ve worked with Sanne on my latest project a spot for a tech company in London. I found that Sanne has an amazing work attitude, really professional and always ready to help. Since it was a small crew, and a hard schedule, everybody need it to fulfil completely there work areas, and Sanne definitely did her job”
— Emanuele Angeloni (Director/Producer)
“I had the opportunity to bring Sanne Gault onto one of my productions, initially as a production assistant, but by the end of the production she was my Production Coordinator. She paid attention to details, understood the importance of being on time and did whatever was asked of her even if it was not her job responsibility.
Sanne was very eager to learn how other departments performed their jobs as well, and how these separate contributions informed the entire film. This curiosity to know everything that occurs on a set is what makes a good Coordinator. And she does have higher aspirations.
When the rest of the crew treats you like a part of the production and respects your work, you know you are doing your job well.
I would surely bring Sanne onto upcoming productions, and highly recommend her to work on others as well.”— Richard J. Dubin (Producer)
As seen in:
Rolling Stones Magazine (Australia)
Sky News
Variety
BBC
NPR
Deadline
Screendaily
Contact: sanne@gault.org — 07491947519